Vancouver Island University's Newspaper Volume 41

End Of The World Tunes

by Brady Tighe


The world is going to end at some point. The nuclear bombers are going to hit the wild blue yonder, or some kind of biological weapon is going to rip us all a new one, or maybe the zombies will rise and devour us all. Either way, we’re all going to shuffle off this mortal coil. And if it happens then let’s hope it happens big, like mushroomclouds- on-the-horizon-everythingis- going-to-be-reduced-to-ash-ina- blinding white-flash kind of big.

So, if things go down that way, there better be an amazing song to accompany it. Something for the pilot to listen to when he rams down the trigger to drop a thermonuclear bomb right into the heart of civilization as we know it, or something to listen to as you slam down your last stiff drink before you’re drinking with the big guy upstairs.

In the whole slag heap of music, there are three tunes that are the be all end all of the whole idea of “holy fuck it’s all over.” Each song has its own kind of apocalypse attached to it—its own set of sounds for the Four Horsemen to be riding to. These three songs represent everything about the end of the world. They won’t be played on the radio by some DJ, who chucks them on before abandoning his post. No, you’ll just hear them, from on high, blasting from the PA system of the heavens on some sunny day. And when you hear them, you’ll know you only have minutes left—minutes to smoke ’em if you got ’em, grab the nearest person and ravage them, or just sit back and wait for the whole shit show to fade to black.

The three songs, or situations as it were, are “The Free Bird Situation,” the “Armageddon Situation,” and the “War Pigs Situation.”

The War Pigs Situation

As the title suggests, this situation has to do with war—an end of the human race brought about by human folly. The song opens with doom-like chords and air raid sirens, so you can practically see clouds of bombers in the sky, dropping long trails of ordnance on everything. The lyrics of this tune describe every detail of the end of the world, from politicians hiding themselves away to generals gathered in their masses and Satan laughing and spreading his wings. The end of the world never sounded so good, or so terrifying. A world that ends with the song “War Pigs” is a world that ends in a sickening pile of rubble and ashes where the bodies burn, brought about by greed and bloodlust—Black Sabbath made a career of singing about topics like the end of the world, and never did they achieve that as well as they do with this heavy metal classic. If you ever hear “War Pigs” blasting from the sky, you’re about to see every kind of man-made instrument of destruction fired at once. Tracer fire will light up the sky, and a worldwide nuclear holocaust will bring about the next age of planet Earth. The Four Horsemen will ride across the land, beckoned forward and on by Tony Iommi’s guitar, and Geezer Butler’s bass. Fire and brimstone! It’s going to be awesome. From the time the button is pushed, you’ll have seven minutes and 58 seconds.

The Armageddon Situation

This is a whole different ballgame than the War Pigs Situation. Prism’s song “Armageddon” is what would happen if the world ended in a glorious party. Not a beer-strippersand- blow party, but the kind of party where everything has descended into total madness, and at the conclusion of this song, not only is Elvis going to come back to life, but the whole world is going to end in a bright white flash. The song opens with the thunderous sound of fighter jets flying overhead, and then jovial radio chatter. It’s probably at this time that the populace of North America is having one last great kegger, talking about what it’s going to be like in that great big beyond. Families are standing on their front lawns, sunglasses on, waiting for the end to just roll across their front porches. There’s a sense of dismay that the world is ending, of course, but you’ve all marched and looted together, you’ve made peace with all your neighbours with one final summer BBQ and it’s time to look toward the future—a future where everyone is dead and the whole planet has exploded into space dust, but a future nonetheless.

When you hear this song, you’ll have seven minutes and 45 seconds to finish that lukewarm lager your grasping, salute, and put on your sunglasses for the great big flash on the horizon.

The Free Bird Situation

This is the biggest and best of any kind of world-ending situation. This is where everything has hit the fan; the zombies have risen, the aliens have landed, the Russians are coming, and the Almighty himself has returned to Earth. Those who had the means and the money are hiding in their fallout shelters. Those unlucky enough to be on the surface are patrolling around in cars, armed to the teeth, drinking beer, and looting TVs. Government has collapsed, and the undead are moving in droves across the planet, eating all that they find. You come crawling out of your basement, fresh off your last round of video gaming, and survey the landscape in front of you—a mess of destruction, cop cars on fire, roving gangs of wild teens walking the street, and a news anchor on the radio assuring everyone to remain calm. It’s right then, at that moment, that you’ll hear “Free Bird” start to play from on high. Who knows? Somebody might have actually yelled “play Free Bird!” before being hit by an alien saucer as it ploughed through buildings.

Somebody has finally answered that request.

So as Pestilence, War, Famine, and Death do one last greatest hits tour of the globe, this will be the sound you hear. It’ll start slowly, with Ronnie Van Zant crooning about his last lost love, the song growing and building slowly. Then it finally explodes, the last two minutes of the song blasting out louder than a thousand Ozzfest gigs. The continents will melt and fall into the ocean, War will pick up the Eiffel Tower and hurl it into the sun, and you’ll find yourself driving 235 km/hr. down the highway, trying to escape the falling buildings and melting landscape behind you, with a blonde bombshell in the passenger seat, and a smile on your face. Because this bird you cannot change. Then nothing. The world fades out just like “Free Bird” does, at nine minutes and seven seconds.

So, when the world does roll over for a forever dirt nap, you won’t need to fret. Anything that ends with screaming guitars, pounding drums, and Ozzy screaming lyrics about doom is something that ends on a sweet and cool fucking note. I’m actually kind of looking forward to it. Although, now every time I hear “War Pigs,” I wonder if the freaking world is going to end. If that’s the situation right now, the world is going to end with me eating chips and thinking, “Fuck, I could use a burger right now.”

Let’s hope that doesn’t happen.