The Forest’s Grief

Clearcutting on Vancouver Island
In Vancouver Island’s old growth, what’s left behind isn’t just stumps. When the saws go silent, the trauma remains. An exploration of ecological trauma in Vancouver Island’s old growth, where loss echoes through water, soil, and the generations of life that remain.

Reforestation.
Photo by: Deanne Whenham

Deanne Whenham | Features Editor

01.04.26
| Vol. 57, No. 3 | Article

Golden columns of sunlight dance through the intertwining canopies of old-growth trees high above. My feet sink into a cushiony bed of soil, moss, and fallen pines. The air I inhale is cool, damp, and grounding, full and rich with oxygen. As the sharp tang of cedar and the fullness of rain fill my lungs, I feel a part of an innate sense of belonging, a kinship to the grandmothers and grandfathers surrounding me.

Walking through the towering trees of Douglas Firs and revered Western Red Cedars, you know words alone have no heartbeat here.

This connection led to my own laying of roots and regrowth. Three years into my sobriety and healing journey, I found my strength intertwining with these cathedral forests, accepting the peace, clarity, and understanding they so willingly gave. The sense of belonging is a product of a biological breathing body built on a millenia of complexity.

~

An old-growth forest, or primary forest, is an ecosystem undisturbed by humans for over 250 years on the coast of British Columbia.

The original cast of Theoxenia. From left to right, Rhiann Hutchison, Taryn Jiang (top), Oliver St Laurent, Evan Shumka, Max Rukus, Kaylin Zech, Kaz Crawford.<br />
Source: Bailey Bellosillo<br />

The Green Room.
Photo by: Clayton Isherwood, Old Growth Enthusiast and Local Photographer

The cacophony of life in this forest is a symphony that’s been orchestrating before Canada was given its name. But for the past century, this vital ecosystem has and is being cut down. The ancient lineage is replaced by the cracking of limbs and the deafening silence of clear-cut remains.

This path is a confrontation with the irreversible ecological trauma challenging our right to take a life that has stood for millennia, because once cut, “old forests require multi-century timescale to redevelop.”

The flap of wings, the splash of salmon, and a creek of wood, all dampened by warm and nomadic vegetation. The depths vary as spackled sunlight filters through the layered canopies. Ross Reid, an advocate for environmental and social issues with the project Nerdy About Nature, explains, “We see this depth of richness in bluish greens and yellowish greens.”

Reid, who runs the educational platform Nerdy About Nature, often highlights the unique biology of these ancient ecosystems to inspire conservation.

The atmosphere itself is profound in this climate fortress. It’s a painting of greens with a range of hues from jaded lichen to electric emeralds. “And there’s going to be little blooms, like hot pink flowers of salmonberry to white little urn-shaped flowers of salal,” Reid says.

Imagine a sponge that covers the expanse of the floor you’re reading on. That is what the forest floor of an old-growth forest feels like, with its cushiony moss, rich organic soil, and decaying matter. This floor has an immeasurable capacity for moisture retention, and this moisture is key to regulating the region’s hydrological cycle.

It’s a multi-layered and self-sustaining environment that slows evaporation, maintains the dampness, regulates temperature, and creates that fire-resistant condition that defines old growth as a coastal temperate rainforest.

This environment also ensures the ecological integrity of intact watersheds. This acts as a buffer against climate change and holds the guarantee of cold, natural, and clean water for the communities downstream.

So, when Vancouver Island receives its famous rainfall, an old-growth forest will absorb all that moisture in its networks of roots, canopies, underbrush, and debris. This absorption is critical in preventing water surges and controlling runoff.

When an old-growth forest is logged, the trees are not the only entity that is cleaved. The soil, the forest floor, and its moisture-retaining system are devastated. This system, left undisturbed, is Vancouver Island’s most vital first line of defence against floods, erosion, and wildfires.

And this devastation reverberates, not only to us humans, but to the critters that call the ancients their home. Many of these creatures face endangerment because they rely on the biodiversity that only an ancient forest can offer them.

Up above, you’d find the nest of the threatened Marbled Murrelets, a small sea bird that can only build its home in the multi-layered canopies that old growth can provide.

This endangerment is not only airborne; it’s also found in the streams and soil. The Coastal Tailed Frogs rely on the old forest’s cool, clear, and clean headwater stream, and are vulnerable to the temperature rise and siltation caused by logging.

Furthermore, the Roosevelt Elk, a large-bodied mammal, relies on the shelter and nutrients only an ancient habitat like a primary old-growth forest provides.

This defence rests on the quiet forest stewards that are microscopic but mighty in their complexity.

As Reid states, the actual structural complexity of these primeval forests is infinitesimal: “I think it’s important to recognize that the complexity of these forests, the different species that grow here, not just the species of trees… It’s the mycorrhizal fungi in the soils. It’s the archaea, the bacteria, everything that lives in these ecosystems that we can’t even see, let alone fully understand their impact.”

Another intricacy that goes beyond sight is the mycelial network. It’s the wood-wide web of the forest. A vast, interspersed, interconnected web of fungal threads in the soil, and it’s the forest’s communication system, which connects the trees and allows them to share nutrients, water, carbon, and alarm signals.

Once logged, the forest loses its ability to interact and heal itself.

—Deanne Whenham

While the mycelial network exists everywhere in nature, in an old-growth forest, its complexities and scale are incomprehensible. These symbiotic relationships have been connected, communing, and building for over 2000 years. How many human societies have fallen and risen during that time?

It’s a system that cannot be replanted once destroyed. The structural, biological, and hydrological complexity of an old growth develops over centuries.

Old growth is a constant flow of life, and that flow is a guarantee; it runs deep. Its elaborate root systems anchor the creek banks, and that anchoring guides the cold and clean water for the salmon run. You can hear the “salmon splashing in the creek because the creek’s going to be healthy,” Reid says.

And in the natural order of things, when bears, ungulates, and other forest scavengers bring that salmon inland, their remains become fertilizers that nourish the trees. There is always life after death, and the regenerative nature of these forests relies on this decay to sustain the ecosystem.

The most authoritative symbol of this irreversible biodiversity is the nursing log. When you see a nursing log, you’re looking at the heart and lineage of an old growth.

The original cast of Theoxenia. From left to right, Rhiann Hutchison, Taryn Jiang (top), Oliver St Laurent, Evan Shumka, Max Rukus, Kaylin Zech, Kaz Crawford.<br />
Source: Bailey Bellosillo<br />

Nursing Log, Canoe Creek, British Columbia.
Photo by: Clayton Isherwood, Old Growth Enthusiast and Local Photographer

When a 1000-year-old grandfather tree takes its last breath, naturally, and falls to the forest floor, it does not represent an end; in fact, its remains become a cradle for the forest. It nurtures and tends to the following generation of saplings.

The absence of a towering tree creates gaps in the multi-layered canopy, allowing light to reach the forest floor and provide nutrients to a new bed of soil. Young saplings wrap their roots around the felled elder, and the elder’s decay forms a flying buttress root system around the sapling.

Reid explains that the intricacies of this generation’s long, undisturbed processes are critical and singular to old-growth biodiversity. It’s a result that is “created by 3000 years of complexity growing in those ecosystems.”

And we’ve cut them down.

A clear-cut is the standard industrial practice in forestry, where most or all trees in a given area are uniformly cut down. It is the most economically efficient method of logging.

The original cast of Theoxenia. From left to right, Rhiann Hutchison, Taryn Jiang (top), Oliver St Laurent, Evan Shumka, Max Rukus, Kaylin Zech, Kaz Crawford.<br />
Source: Bailey Bellosillo<br />

Barren Wasteland.
Photo by: Clayton Isherwood, Old Growth Enthusiast and Local Photographer

The roars of the chainsaws, the yarders, and the diesel trucks have finally stopped. A chemical odour of spilled diesel fills the air. There’s a heavy absence that rests in your chest when your eyes travel past a landscape of severed stumps. It’s quiet, dark, and cold, and it feels as though the earth is holding its breath.

The loss of this living archive of history is irreversible. It’s a complete collapse of a system that took a millennium to build. Cutting down a tree, a patch of forest, you’re not only losing the wood. You are cutting a life that took multiple human lifespans, often 500 to 1000 years, to grow, in a matter of hours.

The roars of the chainsaws, the yarders, and the diesel trucks have finally stopped. A chemical odour of spilled diesel fills the air. There’s a heavy absence that rests in your chest when your eyes travel past a landscape of severed stumps. It’s quiet, dark, and cold, and it feels as though the earth is holding its breath.

The original cast of Theoxenia. From left to right, Rhiann Hutchison, Taryn Jiang (top), Oliver St Laurent, Evan Shumka, Max Rukus, Kaylin Zech, Kaz Crawford.<br />
Source: Bailey Bellosillo<br />

Sad Bundle of Toothpicks.
Photo by: Clayton Isherwood, Old Growth Enthusiast and Local Photographer

The loss of this living archive of history is irreversible. It’s a complete collapse of a system that took a millennium to build. Cutting down a tree, a patch of forest, you’re not only losing the wood. You are cutting a life that took multiple human lifespans, often 500 to 1000 years, to grow, in a matter of hours.

This efficient process is intentional. Mosaic Forest Management, Vancouver Island’s largest private landowner, invests in digital platforms such as satellite-linked Industrial Internet of Things (lloT) sensors, and other technologies to modernize timber harvesting.

These investments are intended to “increase productivity” and enhance the “efficiency” of the supply chain. The company notes that its crews are moving sites as often as every two weeks, prioritizing the timber flow over the forest’s timeline.

It’s a destruction of the mycorrhizal fungi, of the feather mosses and sword ferns that run on the forest floor, and of the root wads that lie entangled below. It’s the absence of everything you cannot see, to the cathedral sight of a soaring trunk touching the sky, sunlight winking at you through a leafy ceiling.

When the logging industry cuts down trees, they defend their destruction with sustainability. They argue that forestry is a renewable resource because they can replant trees.

Once a forest is cut down, it becomes a clear-cut, and that land is then prepped for reforestation, where they often plant a single commercial species in densely packed, uniform rows. This managed reforestation is officially known as a second-growth forest.

The logging industry presents this managed reforestation as an equivalent for the forest they cut down.

The original cast of Theoxenia. From left to right, Rhiann Hutchison, Taryn Jiang (top), Oliver St Laurent, Evan Shumka, Max Rukus, Kaylin Zech, Kaz Crawford.<br />
Source: Bailey Bellosillo<br />

“It’s about seeing the value of the forest beyond those trees.”
Photo by: Clayton Isherwood, Old Growth Enthusiast and Local Photographer

Yet, Reid calls this “arrogant and irrelevant” when faced with modern ethical facts and scientific reality. The wealth generated by logging ancient forests on Vancouver Island has come at the cost of wholesale destruction of forests.

A crow caws, and its cries echo across a valley of severed trees that stand alone. The wind flows freely, and the sky stretches. The air smells of sawdust with vestigial diesel. A clear-cut symbolizes a resource extraction model that prioritizes economic gain over the ecological sovereignty of the land.

There’s a draw, a pull, an intrinsic calling in us all to go outside. To breathe in fresh air, to feel the earth beneath our feet, to feel the sun kiss our skin. Like that, we are drawn to the forest for healing. We will hike, camp, and vacation in cabins to escape and consume the vitality the land offers us.

We treat this connection as a sidebar to our lives, an escapism, a trip away from a highly processed world, and then we drive home and press play to resume life.

The original cast of Theoxenia. From left to right, Rhiann Hutchison, Taryn Jiang (top), Oliver St Laurent, Evan Shumka, Max Rukus, Kaylin Zech, Kaz Crawford.<br />
Source: Bailey Bellosillo<br />

Grandmothers and Grandfathers.
Photo by: Clayton Isherwood, Old Growth Enthusiast and Local Photographer

We forget the land is a living force, and this disconnect is dangerous.

The land, the forest, is not a sidebar, a pretty backdrop in photos; it is a relationship.

—Deanne Whenham

It sustains us, it’s medicine. We must not forget that the land is not just ours to visit, but it is a shared space with every critter, from the Coastal Tailed Frog foraging under the night sky to the Roosevelt Elk finding shelter beneath the canopies, who are reliant on this ancient ecosystem as their home.

The forest is giving and has always provided regrowth and roots, a willingness to heal us as well as itself.

Right now, we stand as witnesses to the ecological devastation of the old-growth forests on Vancouver Island, and we must ask ourselves. What is our right to take away from the land?

This piece is only the tip of the canopy, detailing the complexities of an old-growth ecosystem from its unseen defenders to its soaring stewards. I’ve only tiptoed the moss in describing the hydrological and ecological costs of losing these gentle giants, but beneath the layers, the actual price is the loss of self-reflection.

“Every single one of us has a role to play,” Reid insists. “We all just have to start doing something, whether it’s small little actions or big actions … We just need to be working for that change in whatever way we can, because that’s how change is going to happen.”

The three-thousand-year symphony is fading; a silence that must not be final. Our choices are to listen, to learn, to experience, and to act. These are our notes that will keep the symphony in harmony. The power to preserve our grandmothers and grandfathers belongs to us all.

Headshot of Deanne Whenham, a girl with medium-length black hair, brown eyes, and medium-warm skin.

Deanne Whenham

Deanne is in her fourth and final year at VIU, majoring in Creative Writing with a minor in Marketing and a certificate in Digital Marketing. Originally hailing from Yellowknife, NT, her short story “Soaring” was shortlisted in the Island Short Fiction Review in 2025 by the Nanaimo Arts Council. Her pieces “Decomposing Child” and “pro-so-pag-no-zee-ah” were both published in the debut issue of Lazy Dog Magazine in 2025, and she was a contributor for Portal Magazine with her photo, “Yellowknife Sunset”. When she’s not wandering outside looking for fairies or hunting down the best Pad Thai dish, you can find Deanne dreaming up the pages of her very own novel.

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